When working for retail version of the font, the family was harmonized and given the new name called Benton Sans. In 2002-2003, Cyrus Highsmith added additional widths, weights, and italics to the typeface family, and the face was released for public use under the name Benton Sans. The extra weight and widths also served as optically-corrected replacements for Franklin Gothic, Alternate Gothic, Lightline Gothic.
Benton Sans font family originally consists of 26 fonts in 8 weights, and 4 widths for all but Extra Light and Thin families, which only include the widest width. On December 18, 2008, The Font Bureau Inc. announced the expansion of the font family. The expanded family has 128 fonts in 8 weights, and 4 widths for all weights, with complementary italic and small caps.[3]
Benton gothic font
Download: https://tinurll.com/2vEZkp
On August 7, 2013, The Font Bureau Inc. announced the expansion of the Benton Sans font family, which included the addition of Wide width fonts to Benton Sans font family. In addition, small caps and figure styles, extended Latin character set, language support are included in all Benton Sans fonts.
Font InformationBenton Gothic (Regular Condensed) Fontset:Font-BureauCopyright:Copyright  2000, The Font Bureau, Inc. All rights reservFormat:TrueTypeFont Sources Publisher: Font BureauBuy from Type Network Test it Character Set
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Tobias Frere-Jones designed the Benton Sans font in 1995, and Cyrus Highsmith of Font Bureau developed it into a highly readable and versatile sans-serif typeface family. This is the reworked version of the Benton Gothic font.
Benton Sans is a humanist font with subtle transitions and organic shapes that make its typeface less severe. It has the exact character width as News Gothic, but it also has text figures (old style) for people who like to use them in their writing. This is something that no other modern sans-serif has right now.
With a range of fonts to suit every need, Benton Sans is the right choice for any project. Also, the original 26 members of the family have been joined by 128 new members, both in italics and in small caps!
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Additional fonts, including a variety of popular open-source fonts, user interface and seldom used fonts are provided for document compatibility purposes. These are only listed in font menus if you view or edit content that uses them.
For an illustrated counterpart of this list that shows a sample of each font, see A Guide to Cloud Fonts in Microsoft Office 365, created by Julie Terberg, presentation designer and owner of Terberg Design.
Microsoft welcomes your feedback. For information about how to leave feedback, go to How do I give feedback on Microsoft Office? Use #CloudFonts if your comment is about cloud fonts or #Typography if your comment is related to the font or typography features in Office.
University Marketing and Creative Services has purchased a number of licenses for Benton Sans and GT Sectra for use by UT faculty and staff. Student employees who need access to these fonts, please have your UT faculty/staff supervisor make your font request. Request licenses for BentonSans or GT Sectra.
They are fully installable font files, able to be used in any software program for testing and comping purposes. They are not allowed to be used in a final project (whether personal or commercial) without purchasing a license.
Sans fonts are minimal but approachable: Open Sans Font is neutral and friendly, Lato is stable but warm, and Roboto (in the same family is Roboto Slab) is natural and unforced. All are very readable.
Benton Sans, GT Sectra & Benton Sans Compressed are licensed fonts.To request a license, email This email address is being protected from spambots. You need JavaScript enabled to view it.document.getElementById('cloakf3f81da62c066d7249467da5680410a0').innerHTML = '';var prefix = 'ma' + 'il' + 'to';var path = 'hr' + 'ef' + '=';var addyf3f81da62c066d7249467da5680410a0 = 'comm' + '@';addyf3f81da62c066d7249467da5680410a0 = addyf3f81da62c066d7249467da5680410a0 + 'engr' + '.' + 'utexas' + '.' + 'edu?subject=Requesting%20UT%20fonts';var addy_textf3f81da62c066d7249467da5680410a0 = 'comm' + '@' + 'engr' + '.' + 'utexas' + '.' + 'edu';document.getElementById('cloakf3f81da62c066d7249467da5680410a0').innerHTML += ''+addy_textf3f81da62c066d7249467da5680410a0+'';.
Highlight important information through hierarchy. Let users know what content is important by having a simple and clear hierarchy of type. This is achievable through variations in font size, weight, color and spacing.
Limit font and weight variations. Mixing too many different fonts and font weights can confuse the type hierarchy. In fonts, mediums and bolds should be used sparingly to indicate headers or important content.
We recommend that you use a sans serif font family in your extension. Here, we provide guidance and options that are compatible with Tableau dashboards. Using these exact fonts is optional.
A sturdy font, Franklin Gothic commands attention but doesn't overpower the page. The American Wood Type (AWT) version pays homage to the original metal Franklin Gothic drawn by Morris Fuller Benton for American Type Founders. We're proud to add Franklin Gothic to our catalog.
The AWT patterns for Franklin Gothic are well made, but could've been better in terms of proper typographic design and physical quality. From a typographic perspective, many of the counters were out of proportion to the stroke weight. The pattern edges were rough and inconsistent. The pantograph faithfully reproduces the pattern, so if edges are rough those imperfections are perfectly transferred to the wood type. We didn't discover this until we made a 4A font ourselves. The decision was made to redraw and remake the patterns.
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The license for this font is the SIL OFL license. This license does not allow us to redistribute derivative versions of the font without wholesale name changes inside and out of the font. Until we figure out a reasonable method of delivering these to you and complying with the license, you will have to use the Webfont Generator yourself on these, renaming the fonts appropriately.
Perhaps the League Gothic font will be the inspiration for the luxurious designs. This typeface exudes a confident and powerful demeanor with bold features. On the outside, it shows a confident appearance along with a dynamic emotion that is cultivated in every line and breath. This brings a nostalgic yet surprising look to the sharp corners. From there, your design project will become more professional and friendly. A goal that everyone might want to achieve.
The growing popularity of grotesque typefaces meant that many new sans serif analogues were published in the early 20th century. Setting machines were not compatible with each other but all foundries wanted to offer up-to-date fonts, and as a result numerous different typeface families appeared that seem almost identical at first glance and yet go their separate ways with regard to details. One of the first fonts created with automatic typesetting in mind was Monotype Grotesque. 2ff7e9595c
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