Imago Dei ("image of God")("image of God"): A theological term, applied uniquelyto humans, which denotes the symbolical relation between God andhumanity. The term has its roots in Genesis 1:27, wherein "Godcreated man in his own image. . ." This scriptural passagedoes not mean that God is in human form, but rather, that humansare in the image of God in their moral, spiritual, and intellectualnature. Thus, humans mirror God's divinity in their ability toactualize the unique qualities with which they have been endowed,and which make them different than all other creatures: rationalstructure (see logos), complete centeredness, creative freedom,a possibility for self-actualization, and the ability for self-transcendence.
Imago Dei - Longer definition: The term imago Dei refersmost fundamentally to two things: first, God's own self-actualizationthrough humankind; and second, God's care for humankind. To saythat humans are in the image of God is to recognize the specialqualities of human nature which allow God to be made manifestin humans. In other words, for humans to have the conscious recognitionof their being in the image of God means that they are the creaturethrought whom God's plans and purposes can be made known and actualized;humans, in this way, can be seen as co-creators with God. Themoral implications of the doctrine of imago Dei are apparent inthe fact that if humans are to love God, then humans must loveother humans, as each is an expression of God. The human's likenessto God can also be understood by contrasting it with that whichdoes not image God, i.e., beings who, as far as we know, are withoutself-consciousness and the capacity for spiritual/ moral reflectionand growth. Humans differ from all other creatures because oftheir rational structure - their capacity for deliberation andfree decision-making. This freedom gives the human a centerednessand completeness which allows the possibility for self-actualizationand participation in a sacred reality. However, the freedom whichmakes the human in God's image is the same freedom which manifestsitself in estrangement from God, as the myth of the Fall (Adamand Eve) exemplifies. According to this myth, humans can, in theirfreedom, choose to deny or repress their spiritual and moral likenessto God. The ability and desire to love one's self and others,and therefore, God, can become neglected and even opposed. Strivingto bring about the imago Dei in one's life can be seen as thequest for wholeness, or one's "essential" self, as pointedto in Christ's life and teachings.
Creature 1 hindi
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Murders are occurring across the city of Romdeau, and more AutoReivs are being found infected with the Cogito Virus. Re-L Mayer, an inspector from the Intelligence Bureau, is in charge of investigating these murders along with her AutoReiv partner, Iggy. While looking into these murders, Re-L comes into contact with a mysterious creature that is neither human nor AutoReiv.[1]
In a research facility, several AutoReivs, under the watch of Daedalus Yumeno, experiment on a restless creature that begins to wake. With their sedatives no longer having an effect on the creature, despite their efforts to keep it asleep, it manages to break free. Its moves are strangely faster than the naked eye can see, and with a high-pitched scream, it cracks the glass separating it from the scientists. This causes a breach in the system, but before Daedalus can do anything, the AutoReivs lead him to safety.At 21:32 in the evening,
Through a video call, Daedalus informs the Collective and Donov Mayer, the Regent of Romdeau, of the creature's breakout. Derrida, one of four AutoReivs making up the Collective, asks him to confirm this, and when Daedalus does, she tells him that his job is done and that Raul will handle the situation
In another dark alleyway, blood splatters a wall. A tall, slender figure braces against it, breathing heavily over the slumped body of her kill. A close-up shows it to be the creature from the lab, who leaves a large, blood-stained imprint of its hand upon the wall before departing.
After they leave, Iggy comments on how Vincent kept staring at Re-L. She feigns ignorance, but they overhear Seller telling Vincent that despite his lack of sleep, he has to make up for his mistake and examine the aforementioned infected AutoReiv. Re-L remarks on Vincent's face looking like the ideal Citizen's, the dull kind of face that Romdeau desires, but briefly wonders before they leave if she, being so aloof, is the one who's considered unnecessary.Daedalus looks afar at Raul speaking on the phone again, who turns back to Kristeva once he is done, asking for a recap. Kristeva explains how they have expanded their searches to include more Temporary Immigrant Districts, armed AutoReivs patrolling both the mainland and the island but not having found anything yet. Raul thinks that the creature has moved beyond the residential areas and Kristeva agrees to make the necessary arrangements.Re-L and Iggy go to an abandoned Immigration Bureau facility, where it is rumored that illegal immigrants reside. Iggy gets a message from the Security Bureau that they are to stay put, but Re-L starts to explore and shushes Iggy when he begins to protest at the sound of something. They run towards the source, armed, but all they find is a man in a shabby apartment with a companion-type AutoReiv, whom he calls Mary, saying she belongs to him, which Iggy confirms after a scan. Frustrated, Re-L leaves while Iggy stays behind to check the man's immigration permit.
the creature the Security Bureau is after descends upon Re-L. She lashes out with her gun, but the creature slaps it away, causing Re-L to almost stumble, but not before correcting her balance and firing at it as it leaps out the window. Stunned, she wonders what the creature was, but turns around upon hearing a noise again. It is Mary, the AutoReiv, who has fallen down on her knees and clasped her hands together, staring up at the sky and praying. Distracted by this display and wondering whether she is infected, Re-L doesn't notice the large, armed machine that looms behind her until the last moment. She whirls around and fires at it with her shotgun, sending it reeling back into a wall. Over a communication link, Iggy asks what happened, and Re-L confirms that she killed her target. That's when Mary gets up and leaps into the gap between the staircase, trying to escape, and Re-L shouts out a warning to Iggy, who is on a lower floor. Mary breaks her ankle upon reaching the ground, but stumbles away. Iggy stares down, wondering what happened, and Re-L orders him to contact the Disposal Facility and to have them go after her. Re-L goes back to the window to investigate and finds a large crater left by the creature's hand.Vincent examines the infected AutoReiv he was sent to investigate, but finds no sign of an infection. The AutoReiv, called Pino looks like a small girl, more human-like than the other AutoReivs, with proper facial features. The woman standing
calling the creature by name for the first time. Kristeva reports that they have been searching all the residential areas continuously since last night, but they have found nothing yet. Derrida says that the Proxy must have moved to the immigrant districts on the city's perimeter, and Raul agrees there is nothing to suggest otherwise. Lacan notes how the immigrants living there are masterless and wonders if someone amongst them is helping. Berkely denies that; they don't even know that the Proxy exists. Raul asks whether capturing the Proxy is their only option, and Kristeva confirms that forty-one citizens have lost their lives so far. She also reminds them of the numerous infected AutoReivs throughout the years, noting how there is always an increase in victims during those times. This might lead to panic and unrest, even with controlled information. In light of this, Raul asks permission to kill the Proxy to prevent such a thing happening, and this request is enough to make Donov Mayer pause and the Collective to draw back with a gasp. They remind him that he has to capture it and not take preemptive action, and Husserl assures him that he doesn't have to worry about the loss of a few citizens and Berekely agrees that they can increase production if they run low. His mission is to bring the Proxy back, but Raul asks to know what this Proxy even is.
In the meantime, Vincent parks outside of Re-L's house and begins searching around in alleyways, stumbling upon Mary in bad condition, slumped in a corner.Just as Re-L prepares to get into the shower, she notices something in the mirror. She turns around and is shocked to see the word "awakening" written out in the mirror's fog. Then, without warning, a large creature bursts through her ceiling, forcing her against the wall. It is easily twice her size, dwarfing her, but unlike the Proxy, this creature is entirely different, wearing a strangely-shaped white mask. It examines her while she stares back in shock, and it traces the outline of her lips with its thumb, harshly.
However, the Proxy reappears, descending from the sky like it did when attacking Re-L earlier that day. The masked creature senses this and lashes back. After a brief scuffle, the masked creature launches the Proxy out through the window, where they face off outside. The masked creature snarls. The Proxy, appearing to be in pain or distress, flinches. The masked creature charges the Proxy while Re-L crumples to the floor in shock before fainting.
Hence, it could be concluded that classical conditioning theory is based on habit formation which says that humans or any creature give response due to a stimulus or humans learn due to stimulus.
Jewish folklore has more than its fair share of creatures that will send chills down your spine. Perhaps none more than the dybbuk, the dislocated soul of someone deceased who has taken over a host body to complete unfinished business. Though one was featured in the opening scene of The Coen Brothers' A Serious Man, Dybbuks have recently re-entered popular imagination as the unlikely antagonist of rapper Post Malone. 2ff7e9595c
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